A Wrinkle in Time *** / *****
Directed by: Ava DuVernay.
Written by: Jennifer Lee based on the novel by Madeleine L'Engle.
Starring: Storm Reid (Meg Murry), Gugu Mbatha-Raw (Dr. Kate Murry), Chris Pine (Dr. Alex Murry), Reese Witherspoon (Mrs. Whatsit), Oprah Winfrey (Mrs. Which), Mindy Kaling (Mrs. Who), Levi Miller (Calvin), Deric McCabe (Charles Wallace), Michael Peña (Red), Zach Galifianakis (The Happy Medium), Rowan Blanchard (Veronica), André Holland (Principal Jenkins).
It would be easy to nitpick Ava DuVernay’s film version of A Wrinkle in Time to death. The film is deeply flawed in ways that are immediately apparent when you watch it, and grow in your mind as you look back over it. A decade ago, I probably would have cynically written off the film as overly earnest and cheesy – and a decade from now, I may well do the same thing. But at this moment, I had the perfect way of viewing DuVernay’s A Wrinkle in Time – and that is through the eyes of my almost seven year old daughter, who sat next to me throughout the film, at times astonished by what she was watching, and at other times deeply relating to what was up there. It’s not enough for me to think that A Wrinkle in Time is a great movie – hell, it may not even be a very good movie. But watching her watch the film, and then talking about it after made me grateful that such a film exists.
The film stars newcomer Storm Reid as Meg Murry, an unpopular girl, somewhere in the 12-13 year old age range, who is still reeling from the disappearance of her physicist father Alex (Chris Pine) four years earlier. Along with her mother, the two had developed a theory about the ability to travel through space and time – using only your mind. And then, he vanished (gee, I wonder what happened?). One day, Meg meets three interesting women – Mrs. Whatsit (Reese Witherspoon), who is cheerful and a little ditzy, in a lovable Glinda the Good Witch kind of way, Mrs. Who (Mindy Kaling), who is very wise, but speaks almost entirely in quotes by geniuses, and Mrs. Which (Oprah Winfrey), who is basically Oprah spewing her brand of inspirational positivity. Along with her genius little brother Charles Wallace (Deric McCabe) and the boy she has a school girl crush on, Calvin (Levi Miller), she embarks on her own journey across space and time to find her father – going from one amazing planet to the next, meeting one amazing character after another.
Some of this works better than others. The special effects in the movie are hit and miss – I have a hard time believing it was a budgetary issue, since this is a Disney film – yet I think we can all agree that a sequence involving a character turning into a giant, floating lettuce leaf doesn’t really work. There are lots of special effects sequences that do however – especially when the movie finally reaches its last stop in the rescue mission. DuVernay relies perhaps too heavily on close-ups throughout the film – it can became distracting at times. The characters are mostly thinly written, and the talented cast isn’t always able to overcome that. Witherspoon mainly does – in part because it seems like Mrs. Whatsit is a role tailor made for her skillset, so she is mostly a delight. Poor Kaling cannot do much with a character than has to end every sentence with the name of a famous writer, and the country they are from. I’d be tempted to write off Winfrey as stunt casting – except because of the nature of what Mrs. Which says, I’m not sure anyone could make the role work better than Oprah does.
Besides, the movie stays grounded because of a really good performance by young Reid. It is a difficult role for her to play, one that requires elements of the fantastical, and yet grounded in real life insecurities and anxieties of little girls everywhere. I think this is what my daughter related to more than anything. She’s a sweet kid (and before you think I’m just looking at her through rose colored, parents glasses, let me say that my other daughter, who is 4, is a holy terror, who my wife and I joke we will one day have to visit in prison) who nervously applied to, and had to write an essay to get onto her school’s “Kindness Crew”. This film’s wholly, unironic embrace of kindness and goodness, as well as embracing every part of you – even your flaws – is something we don’t see very often – and we never see directed towards little girls (rarer still, to see it directed at African American girls – but I digress). This is a rare film that was made specifically for her. The elements that make it cheesy or easily laughed off by more cynical people, are exactly why she embraced it.
This doesn’t excuse the movie for its storytelling faults, or other mistakes along the way, but it goes a long way to mitigating them for me. When I looked around the movie – in the background – I also saw a world that DuVernay has created that perhaps is as fantastical as the other planets – an idealized vision of our world – perhaps the one created by Warriors like the film described. Yes, I can be cynical – but I find it impossible to be so with this film, which I got to see through the eyes of my daughter who saw something greater than herself up there on that screen – and wanted to be a part of it.
