The Polka King *** / *****
Directed by: Maya Forbes.
Written by: Maya Forbes & Wallace Wolodarsky.
Starring: Jack Black (Jan Lewan), Jenny Slate (Marla Lewan), Jason Schwartzman (Mickey Pizzazz), Jacki Weaver (Barb), Vanessa Bayer (Binki Bear), J. B. Smoove (Ron Edwards), Robert Capron (David Lewan).
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The movie detailing his story is more than a little bit of a tonal free-for-all, and seems to be lacking in some very basic details about what Lewan did, and how (the biggest may well how he really did get his tour group to meet the Pope). It is buoyed by a number of energetic performances however, that keep the film from ever getting boring. Front and center is Jack Black as Jan Lewan himself – a big goofy smile plastered on his face, as he fronts his Polka band, and basically while he does everything else in his life. He is a devoted husband to Marla (Jenny Slate), who loves him, and has delusions of grandeur to match him, and father to their son David. Everyone it seems like Jan, except his mother-in-law Barb (Jacki Weaver) – going even more over-the-top than anyone else in the film (which is saying something) – who doesn’t trust him for a minute. Even the government agent who shuts down Lewan’s initial scheme (JB Smoove), likes the guy – and basically forgets about for years, after Jan convinces him he shut down his illegal investing business. Jan has that effect on people – you really be a criminal.
The film is directed by Maya Forbes, who struggles a little bit with the tone of the film, which is more often than not as big and broad as Black’s Jan Lewan himself. Mostly, that works, but the film takes some darker twists as it moves along – as it must – and Forbes struggles to find the right notes there. The last act of the movie is a mess in many ways – not least because it doesn’t feel like anyone is all that concerned with the details of what Lewan did.
Still, the film is mostly an interesting watch for the performances alone. Black is capable of doing this type of character in his sleep – Lewan fits in nicely alongside a performance like the one he gave in Richard Linklater’s Bernie (his career best work) – but he goes all in, as does Slate, especially as she tries to become a beauty queen, and Weaver. Jason Schwartzman is a nice counterbalancing performance – everyone else goes big, so he goes small – even as he explains how he wants to change his name to Mickey Pizzazz.
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